Recent Projects

I am so so happy to be returning to Frankfort, MI this summer to produce A Midsummer Night’s Dream alongside Macbeth with two amazing directors — Christy Arington and Sarafina Vecchio — and all under the umbrella of an incredible new organization — The World’s a Stage. Catch me behind the scenes as Festival Manager and Sound Designer/Musician!

It has been a delight to coach dialects for this show. Directed by the wonderful Bridget S. Dunne, this is the first production I have coached in Albuquerque! Catch it at the Vortex Theatre before May 17, 2026

I had the absolute pleasure of reading A Lady for All Seasons by the incomparable TJ Alexander. Not only was this a wonderfully written book with some beautiful trans and bi-gender representation, but I also got to work with an amazing director — Finlay Stevenson!

January 2026, The Vortex Theatre is kicking off their 50th season with A Midsummer Night’s Dream!

I am delighted to be returning to the Vortex as Helena in Leslee Richards’ production of Midsummer. Last year I made my Albuquerque debut in the titular role of Hamlet, also directed by Leslee, alongside Rosencrantz and Guildenstern are Dead by the late Tom Stoppard, directed by Paul Ford.

Catch this fun romp in the forest January 9th – February 1st!

I am thrilled to be joining the Season 4 cast of How It Ends — an award-winning, meta-narrative audio drama that intertwines grief, nightmares, secrets, memory, and mystery. I’ve been a fan of How It Ends since before I met Micah and Stephanie while working on The Pit Below Paradise, so I definitely won’t be dropping any spoilers here. If you want to dig deeper, take a look at the recently released Animated Trailer!

This summer I worked on Lakeside Shakespeare Theatre‘s production of An Iliad, by Lisa Peterson and Denis O’Hare, directed by Christy Arington, and starring Elizabeth Laidlaw. I stepped into the role of the “muse” that the poet calls upon throughout the play, providing atmospheric support and musical inspiration and the poet digs deep to convey the significance of the Trojan War, and of every war and genocide since.

This was my first time scoring a play, and I am thankful that I had a number of skilled and imaginative interns to call upon for support. The soundscape consisted of cello, guitar, drums, and improvised percussion instruments that the interns played on to bring the audience into the world of these battles.

I am proud to have been the Dialect Coach for the cast of Angels in America parts I & II at Invictus Theatre in Chicago. The primary and understudy casts are incredibly talented actors, as well as skilled dialect performers. It was a joy to work on the 30+ characters that come to life in these two magical shows.

I am thrilled to be making my ABQ theatrical Debut at The Vortex Theatre! From March 21 – April 27, 2025 I will be playing the title character in Hamlet — Directed by Leslee Richards — as well as in Rosencrantz and Guildenstern Are Dead, by Tom Stoppard — Directed by Paul Ford.

It is a privilege to have the opportunity to explore the facets of this character through two productions at the same time — each play unveils a unique side of the relationships these characters hold with one another, and allows the audience to look upon these stories with that much more context.

It has been a joy to work with this cast and crew, and I feel very lucky to have found such passionate theatre makers in an amazing city.